Bornin York, Pennsylvania, in 1955, the American sculptor Jeff Koons went to art school in Baltimore then Chicago, where he was introduced to Pop Art and the “ready made”. Moving to New York in 1976, he worked as a commodities broker while beginning to establish himself as an artist with the support, among others, of gallery owners Daniel Weinberg
JeffKoons: A Retrospective features a range of works from each stage of the artist’s career, representing the following series: Inflatables, Pre-New, The New, Equilibrium, Luxury & Degradation, Statuary, Banality, Made in Heaven, Easyfun, Celebration, Popeye, Hulk Elvis, Antiquity, and Gazing Ball. In addition, the Whitney is showing several
JeffKoons believes “that taste is really unimportant,” a conviction he demonstrates throughout his work, but nowhere as emphatically as in the Banality series (1988-89).[1] Since the very
In1980 the young artist Jeff Koons presented his first major solo exhibition, a window installation at New York’s New Museum of Contemporary Art, titled, appropriately, The New. Alongside hermetically sealed vitrines showcasing “ready-made”1 household appliances like a New Hoover Deluxe Rug Shampooer and a New Shelton Wet/Dry 10 Gallon, there
Thismay be something of a first for Lunch with the FT. So improbably blue is the summer sky over central London, and so unusually warm the temperature, that Jeff Koons wants to eat al fresco. So JeffKoons’s Rabbit, 1986, has become one of the most iconic works of 20th-century art. Following the Duchampian tradition of the ready-made, Koons transforms an inflatable toy rabbit into stainless steel, giving it a chameleon quality and Diezobras icónicas de Jeff Koons, el rey del mercado. El artista vivo más cotizado del mundo regresa. El 13 de febrero sale a subasta en Christie's Londres una de sus piezas más célebres n1qhx.
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    • jeff koons ready made